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| garyb Triglot Senior Member ScotlandRegistered users can see my Skype Name Joined 5199 days ago 1468 posts - 2413 votes  Speaks: English*, Italian, French Studies: Spanish | Message 297 of 1317 16 November 2012 at 12:28pm | IP Logged | |||||
This actually reminds me of something that I've noticed in my French - I often seem to speak it better with other non-native speakers than with native speakers. Earlier this year I made friends with a French guy who was staying in my city for two months and we hung out a few times a week, speaking mostly French, and my French never seemed to quite be on top form when I was with him. But sometimes when I went to meetups during that period, where most speakers are non-natives at intermediate (B1-B2) level, it seemed to suddenly be "completely activated" as you put it. I haven't quite figured out why. It seems like it could be a psychological thing - being with people whose level is similar to or lower than mine might give me a confidence/ego boost which makes me more relaxed and at ease, while with a native, their far higher level makes me feel worse or more nervous regarding my ability, making it more difficult to speak well. Or it could just purely be perception - maybe my French wasn't actually any better or worse in either situation, it just seemed so because I was comparing it to the standard of those I was speaking to. Or most likely, my friend and I talked about far more complex and personal subjects and that challenged my French a lot more than the relative small-talk of meetups. I do however find the opposite effect for pronunciation - when I'm around real French people and hearing their voices and accents, I find it easier to sound more French because I have something to aim for and try to imitate in almost "real time". That said, our situations are completely different: you get a hell of a lot more practice with a native speaker than I do, and you gave an example of a sentence that you'd normally find difficult so that seems to rule out the perception idea, so it's hard to compare. It's probably just the usual ups and downs of language learning. On one hand, they say that the times you're struggling are the times that you're challenging yourself and going out of your comfort zone and improving, but on the other, when you're struggling with things one day that seemed well within your comfort zone the previous day, week, or month, it does feel pretty damn frustrating. Interestingly I've found recently that the less I worry about the ups and downs, the less severe they seem to be, because I don't get bogged down in the negative and frustrated thoughts. 2 persons have voted this message useful | ||||||
| Expugnator Hexaglot Senior Member Brazil Joined 5158 days ago 3335 posts - 4349 votes Speaks: Portuguese*, Norwegian, French, English, Italian, Papiamento Studies: Mandarin, Georgian, Russian | Message 298 of 1317 17 November 2012 at 8:46pm | IP Logged | |||||
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emk, when you're reading in French, do you have any specific criterion as for when to
look up a word in a dictionary? I'm realizing I'm spending quite an amount of time looking up words at the Portuguese translation. I hardly ever come across situations when the understanding of the context is damaged due to lack of a specific word. OTOH, I'm aware that if I read a book just for meeting again the words I already know, it's no big deal and I won't learn much from it. So, I need to find the good balance between those two extremes. 1 person has voted this message useful | ||||||
 emk Diglot Moderator United States Joined 5524 days ago 2615 posts - 8806 votes Speaks: English*, FrenchB2 Studies: Spanish, Ancient Egyptian Personal Language Map | Message 299 of 1317 17 November 2012 at 9:30pm | IP Logged | |||||
Thank you, sctroyenne and garyb, for your moral support and advice!
If I'm reading an ebook with a popup dictionary, I look up a lot of words, because it takes scarcely any time at all. If I'm reading a paper book, it depends on how lazy I'm feeling and how useful the word looks. Even if I don't look up many words, there's always a lot of material that I understand, but which I haven't fully internalized. After all, there's a big difference between knowing the dictionary definition of a word and really knowing how the French use it. And if I can't be bothered to look up words, I try to pay more attention to idioms, prepositions, and habitual turns of phrase. 2 persons have voted this message useful | ||||||
| Rout Diglot Senior Member United States Joined 5704 days ago 326 posts - 417 votes Speaks: English*, German Studies: Spanish Studies: Hindi | Message 300 of 1317 20 November 2012 at 1:56am | IP Logged | |||||
As to what garyb said, I notice something similar with respect to my emotion and confidence and their effects on my fluency. When I speak Spanish at work, I know only a limited number of situations will occur (I suppose this "island" is rather large) and I usually feel so supremely confident (because I've gone through these situations over and over) that my abilities start to snowball as the day proceeds. My fluency, pronunciation, listening comprehension (of all things), etc. improve so that by the end of the day I'm sputtering along in "uncharted territory" when I self-talk on the way home. The next day I'll have a speaking session with one of my tutors and I feel sluggish and void of confidence. I know this is an older post, but I thought it was interesting you brought this up since I just watched a video on the subject, so I decided to reply. The speaker's videos are very helpful (even though they're intended for learners of English). This is one of his more boring videos but the information is useful.
Yes. I know that, as far as Indo-European languages go, French is a beast when it comes to listening comprehension but this has worked for me in the past in other (maybe "easier") languages. Oddly enough it's helped my speaking abilities too, since after 1.5-2 hours into it I'm pretty much just thinking in the target language to myself. This is a great way to gather words from context (visual and aural context) and not lose it (the increments between recycled vocabulary are such that you'll be running into the same words over and over before you get a change to forget them). Another thing I've noticed is after watching TV originally filmed for the target language then returning to translations (e.g. Buffy), the translated series are much easier to understand even if the subject matter is completely unrelated. I'd love to see you try this and find out if the results corroborate my experience or if it was just a fluke on my part. 2 persons have voted this message useful | ||||||
| emk Diglot Moderator United States Joined 5524 days ago 2615 posts - 8806 votes Speaks: English*, FrenchB2 Studies: Spanish, Ancient Egyptian Personal Language Map | Message 301 of 1317 24 November 2012 at 3:25pm | IP Logged | |||||
For a dubbed series, Buffy actually has some pretty challenging dialog. It's harder than most of the dubs I see on French TV, but it's still a lot easier than a native series like Engrenages. And now it's time for recommendations: L'homme qui plantait des arbres by Jean Giono. This is a short story about a (fictitious) old man who plants trees in the French hills. It's about 55 small, illustrated pages, and it's really quite sweet. If you liked Le Petit Prince, you'll probably like this. Suitable for anybody who can read French. Les fourmis by Bernard Werber. I've read about a third of this, and it's by the best Werber I've read yet. The usual problem with Werber is that he recycles plots and ideas that were well-known in the 1940s, and he serves them up without any twists or stylistic charms. But at least so far, Les fourmis is more interesting and original than the other Werber books that I've read. Étoiles mourantes by Ayerdhal et J.C. Dunyach. I've only read the first chapter, but so far, I'm quite pleased. It reminds me of Alastair Reynolds—there's a rich universe with lots of backstory, the details are revealed in tiny slices, and there's plenty of suspense. I want to know more about the universe, the characters, and the plot. One note of warning: This book is hard, with lots of metaphorical vocabulary. The first sentence should give you an idea:
My reading skills are B2+, I read lots of challenging SF in English, and I'm using the Kindle dictionary 5 or 6 times per page. Despite all this, I'm really having to work to keep on top of things, because the metaphors and general strangeness mean I have far less context than usual. But I'm actually reading it, which I couldn't do 6 months ago. 2 persons have voted this message useful | ||||||
| sans-serif Tetraglot Senior Member Finland Joined 4551 days ago 298 posts - 470 votes Speaks: Finnish*, English, German, Swedish Studies: Danish | Message 302 of 1317 24 November 2012 at 5:04pm | IP Logged | |||||
I've experienced something similar with both Swedish and German, so I think it's worth a shot, if your schedule allows. Two or three weeks sounds about right to me, though I have to admit I didn't document my progress, and my recollections are rather vague. As I mentioned in the thread you started, I used informal podcasts and audio books rather than TV shows, but that makes little difference in my mind. Whether with Cavesa's methods or by some other means, I encourage you to put a major focus on listening comprehension until you reach, for the lack of a better word, effortless listening. It should be achievable in a reasonable time frame, it pretty much maintains itself, and at least for me, is a great source of enjoyment. A sound investment, in other words. A handy way to get more listening in, regardless of how you decide to proceed, is doing most of your reading in LR fashion, listening to audio books while following along with the text. This unfortunately limits you to books popular enough to be available in audio book, so you might have to put SF on hold, but I think it's still an option worth considering. 1 person has voted this message useful | ||||||
| geoffw Triglot Senior Member United States Joined 4680 days ago 1134 posts - 1865 votes Speaks: English*, German, Yiddish Studies: Modern Hebrew, French, Dutch, Italian, Russian | Message 303 of 1317 24 November 2012 at 11:26pm | IP Logged | |||||
Did you mean that you read SF translated from English into French? 1 person has voted this message useful | ||||||
| emk Diglot Moderator United States Joined 5524 days ago 2615 posts - 8806 votes Speaks: English*, FrenchB2 Studies: Spanish, Ancient Egyptian Personal Language Map | Message 304 of 1317 25 November 2012 at 3:26am | IP Logged | |||||
I actually have read French translations of books that I enjoyed in English. I find that it's much easier to puzzle out words from context if I already know the story well. And it's always fascinating to see how specific scenes get translated. But that wasn't the specific advantage I was thinking of in this case. Let's see if I can explain. Science fiction is a relatively mature genre in English, dating back to books like H.G. Wells' The Time Machine in 1895 and arguably Mary Shelley's Frankenstein in 1818. Pretty much every possible story has been told a half-dozen times or more. For example, if you want a book about soldiers in high-tech armor fighting giant bugs, you can choose from Heinlein's Starship Troopers (about the relationship between military service and civilian political authority), Haldeman's Forever War (about the profound alienation soldiers feel returning to a changed culture), Steakley's Armor (about a certain mix of courage and despair that soldiers feel in combat) and Scalzi's Old Man's War (about regained youth and the politics that lead to ugly wars). Each of these books takes the same initial premise, and does something interesting with it. In 100 years, a literary genre has time to mature. By 1950, an author like Heinlein could invent a society which was different from our own in a hundred different ways, with its own cultural assumptions, speech patterns and moral values. And he wouldn't just come out and explain all this. Instead, he would hide all these changes in the backstory, revealing them only in offhand remarks and other scattered hints. (Actually, anybody at HTLAL should know how this works--have you ever found yourself started by what another culture takes for granted? Has a casual remark ever blown your mind?) By 1990, you could find science fiction novels that took these techniques to extremes. I can find you books in which human nature itself has changed, in which something as big as immortality or the ability to redesign your own mind is treated almost as an afterthought. And the reader is expected to keep up, to puzzle out the strange new world from hints. (Good examples are Charles Stross and Greg Egan.) This is all great fun, but it can be challenging if you're not expecting it. For me, the fun part about Étoiles mourantes is that it's the first French SF I've found that tries to play these games. In the first several chapters, I've been introduced to organic, space-going cities that predate the human species, to people who live in symbiosis with thousand-year-old sentient armor that preserves their ancestors' souls, and to several layers of political plotting involving a caste-based, sexist society. And apparently there are three other major cultures I haven't seen yet, each of which has its own politics and its own non-trivial modifications to human nature. Now, I have no idea whether this will turn out be a great book or not. But I'm pleased that the authors know how the game is played. And this is where having read tons of SF in English gives me an advantage: I'm familiar with genre conventions, I enjoy being a bit confused, and I know how to reconstruct a fictional world from hints. And frankly, I'm gratified that not all French SF is as simplistic as Werber's Nos amis les humains, which is basically, "A man and a woman wake up locked in a mysterious room together! He's misanthropic jerk. She's a vapid airhead. They bicker and then they have sex. What happened? Some aliens are keeping them as pets. Like, totally woah!" As a character study, it's not particularly memorable. As SF, well, it takes a lot more than that to blow my mind. 1 person has voted this message useful |
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