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Translating "Frozen" into Arabic

  Tags: Film | Translation | Arabic
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daristani
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 Message 1 of 9
05 June 2014 at 9:15pm | IP Logged 
Further to the vexed question of whether Arabic learners should start with Modern Standard Arabic or a dialect, it seems the issue is causing controversy in the movie industry as well. Here's an interesting comment on the recent translation of the movie "Frozen" into MSA, which apparently has upset quite a number of Arabs. (Although the choice also has supporters, as is seen from the many comments it's drawn.)

http://www.newyorker.com/online/blogs/books/2014/05/translat ing-frozen-into-arabic.html
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iguanamon
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 Message 2 of 9
06 June 2014 at 12:11am | IP Logged 
Thanks for the link, Daristani. I found the article very interesting.
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fiolmattias
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 Message 3 of 9
06 June 2014 at 4:36pm | IP Logged 
I don't mind it, the "Let it Go" song is beautiffuly sung in MSA
youtube.com/watch?v=oUArQW09Two

As just about any other cartoons besides Disney is in MSA, I really don't see why not.
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Luso
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 Message 4 of 9
07 June 2014 at 4:02am | IP Logged 
Experience tells me that Arabic-speaking people are normally not very concerned about such "controversies".

Unless I'm mistaken, I see no evidence of one here. Apart from that the author tries to create, that is. And he lives in the USA.

Edited by Luso on 07 June 2014 at 4:09am

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Doitsujin
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 Message 5 of 9
07 June 2014 at 11:55pm | IP Logged 
For those of you who don't speak Arabic, MSA is to Arabic dialects approximately what Shakespeare's English is to modern colloquial English. I.e. it pretty much has the same effect on native Arab speakers that Shakespeare's English has on modern English speakers. It may sound a bit weird, but is generally understandable.

IMHO, Elias Muhanna's criticisms are too harsh and often unfair. In his translations of the Arabic lyrics, he deliberately chose very archaic and/or very formal English expressions. For example, he used "thy" instead of "your" for the second person possessive pronoun.

Quote:
The Arabic lyrics to “Let It Go” are as forbidding as Elsa’s ice palace. The Egyptian singer Nesma Mahgoub, in the song’s chorus, sings, “Discharge thy secret! [...]

The corresponding Arabic line reads: اطلقي سرّك [aṭliqī sirraki]. The imperative "aṭliqī" can mean discharge (as in "discharge a firearm") but, IMHO, it's much more often used with the meaning "to release, to set free etc." I.e., a neutral translation would be "Release your secret."

Quote:
I shall not bear the torment!”

The corresponding Arabic line reads: لن أتحمّل العذاب [lan atahammala [a]l-ʿadhāb(a)]. Again there's nothing super formal about it. It simply means "I will no longer suffer this torment."

I could go on like this for a while. Let's have a look at a final translation mentioned in the article, which sounds rather funny in English:

Quote:
The snow instigateth not lugubriosity within me…”

The corresponding Arabic line reads: الثلج لا يشعرني باكتئاب [ath-thalju la yushʿirunī b[i]-ikti'āb(i)], which simply means "The snow doesn't make me feel sad." (I.e., there was absolutely no need for Shakespearean verb forms such as "instigateth.")

IMHO, whoever did the Arabic translation did a good job. Note that the English original "Let it go" doesn't rhyme, but the Arabic translation (aṭliqī sirraki) does and so do most Arabic lines, which is no small feat. There's no doubt that the translator occasionally took poetic license to create a rhyming translation, but the end result is nowhere as obtuse as Elias Muhanna want us to believe.

FYI: The Arabic lyrics are here and the video is here.
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Al-Malik
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 Message 6 of 9
08 June 2014 at 8:46pm | IP Logged 
I agree with Doitsujin on this issue. Arabs are exposed anyways to a lot of formal Arabic on TV (news, documentaries), radio, all of the written language (including newspapers and books), religious sermons etc.

It's true that MSA will sound somewhat more "distant" or "formal" than the local dialect one grew up with; however, for someone from Morocco, for instance, Egyptian Arabic will also sound peculiar and distract from the experience.

I believe that MSA is a good compromise to make the content as accessible as possible for the largest amount of viewers. I agree, though, that they could have dropped some (most?) of the endings to make the language more direct/approachable.
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fiolmattias
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 Message 7 of 9
08 June 2014 at 10:04pm | IP Logged 
Al-Malik wrote:
I agree, though, that they could have dropped some (most?) of the
endings to make the language more direct/approachable.


Didn't they?
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Doitsujin
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 Message 8 of 9
09 June 2014 at 7:35am | IP Logged 
fiolmattias wrote:
Al-Malik wrote:
I agree, though, that they could have dropped some (most?) of the endings to make the language more direct/approachable.

Didn't they?

They usually dropped endings at the end of a phrase or sentence (Pausa reading) and only kept them when it was absolutely necessary.

BTW, the author of the article, Elias Muhanna, also gave an NPR interview in which he claimed that the use of MSA in children's TV is part of a larger shift:

Elias Muhanna wrote:
Disney's decision to switch to Modern Standard Arabic now is a very kind of puzzling phenomenon. And I think that it has something to do with the fact that last year, Al Jazeera inked a big deal with Disney to basically buy all of its distribution rights for its children's programming. And if you go on to the website of Al Jazeera's Children's Channel, you will find a policy document there that states very clearly that all of its content will be in what they call Classical Arabic. So that seems to be part of the reason we are now seeing this shift.

IMHO, it makes economic sense to produce children's TV shows only in MSA. It might also help making MSA (and Arabic in general) more popular.
I'm pretty sure that the initiators of a 2010 campaign in Lebanon to save Arabic (BBC article; campaign website) would appreciate this decision, because children will naturally want to watch the hugely popular Disney children's TV shows, and if they're only available in MSA, they'll over time learn at least some MSA through assimilation.


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