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Sounds you can’t produce?

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Carlo
Diglot
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Italy
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1 sounds
Speaks: Italian*, English
Studies: German

 
 Message 9 of 43
01 November 2006 at 4:06am | IP Logged 
Same problem with uvular R....
and with the english TH (Problems with 'thought' and 'though')
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Iversen
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 Message 10 of 43
01 November 2006 at 4:15am | IP Logged 
laiwai wrote:
What? The nasal equivalent of "va" would be "vent" or "vant" , of "ma" it'd be like in "menthe" but without the "t" at the end (those two vowels being (ã)). To get the sounds in "main" and "vin" (ɛ̃   ) you'd have to nasalize something like "Mai" and "vais" respectivly.


Well, I know that it is a controversial question. But it is not just something I invented on the fly.

For inscrutable historical reasons the correspondances between nasalized and ordinary vowels have been described in terms that rather reflect Old French and the present spelling system than what I can hear with my own ears. If you take for instance "va" and nasalize it without altering the degree of mouth opening or the tongue position, do you then really end up with "vent" or "vant"?. I don't, I end up with "vin" (or "vint"). This is in fact one of the areas that I checked thoroughly when I studied French long ago, because I could see and hear that the traditional description didn't fit the sounds I heard.

There are some regional differences in the way the French pronounce their nasal wowels, - the tendency is to reduce the system to just three phonemes (a continuation of the slow death of the closed nasals). But the 4-phoneme variant of the nasal vowel system in French can be illustrated as follows:

vie   ---> (dead, - no nasalized i in modern French)
v     ---> (dead)
vais ---> (no nasal wowel in European French, - maybe in Québec??)
va        --->   vin
open va-* --->   vend

(*as in variété)

mou      --->  (no nasal)
clos     ---> (no nasal)
maure    --->   mon

(** without the r, that opens the preceding vowel)

bu       --->  (no nasal)
queue    --->   (no nasal)
leurre   --->   l'un

-e (shwa) ---> (nothing)

In the traditional system the correspondances are proposed in a way that doesn't take in account the general opening of nasal vowels since the 17. century or before ("J'accuse...").

If you want to see the famous trapezoide of the French vowels (which I would have liked to use for the illustration above, but I can't do the graphics), then try this article


Edited by Iversen on 01 November 2006 at 6:43am

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Captain Haddock
Diglot
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Japan
kanjicabinet.tumblr.
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 Message 11 of 43
01 November 2006 at 4:52am | IP Logged 
Quote:
. If you take for instance "va" and nasalize it without altering the degree of mouth opening, do you then really end op with "vent" or "vant"?. I don't, I end up with "vin" (or "vint").


"vin" having the same vowel, but nasalized, as "vais" is still the official pronunciation, isn't it? At least, that's how I was taught. I don't think you can go wrong going by the standard French pronunciation, which is explained fairly well at Wikipedia.

Interestingly, Wikipedia claims that the in-ein-ain nasal has merged with nasal /œ/ in some places, not /a/.
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Iversen
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 Message 12 of 43
01 November 2006 at 5:18am | IP Logged 
Captain Haddock wrote:
"vin" having the same vowel, but nasalized, as "vais" is still the official pronunciation, isn't it? At least, that's how I was taught.
...
Interestingly, Wikipedia claims that the in-ein-ain nasal has merged with nasal /œ/ in some places, not /a/.


The last part of Captain Haddock's post is absolutely correct, - young people in France generally pronounce "l'un" and "lin" in the same way, - which significantly enough not is like "l'an" (or the city name "Laon"). The nasal in "l'un" (in the 4 phoneme systeme) is simply dying out these days, leaving "l'an", "lin (/l'un)" and "long".

As for "vin" having the same vowel, but nasalized, as "vais" then I think it is one of the rare cases where I trust my own ears more than what I'm being told. Of course you may hear something else than I do, but the exercise where you keep your mouth and your tongue absolutely immovable while you open and close the passage to your nasal cavity (by moving the velum) is the key to what really happens. And even if I risk being guillotined by the French Academy next time I risk a visit to Paris I cannot make the nasal variant of "vais" sound like "vin", - the result is simply too closed to be any decent present-day French vowel. With "va" the correspondance is perfect.



Edited by Iversen on 01 November 2006 at 12:50pm

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Hencke
Tetraglot
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Spain
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 Message 13 of 43
01 November 2006 at 5:21am | IP Logged 
Iversen wrote:
My advice to the preceding authors would be to use a textbook in phonology where the sounds are explained not through comparisons with sounds in another language, but through anatomical explanations. Combine that with a bit of listening, and then practice.

This is excellent advice and I fully support it.

To the poster who was unable to hear the difference between two supposedly different sounds: don't despair, because:

a. You can train your ear to hear the difference.
b. Practicing how to produce them, eg. with the aid of anatomical explanations, will help recognition, and vice versa.

Just be prepared to spend a fair amount of time and effort. But you are not alone. Barring some lucky freak cases with exceptional talents, we all have to go through this.
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Marc Frisch
Heptaglot
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Germany
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 Message 14 of 43
01 November 2006 at 5:35am | IP Logged 
Kubelek wrote:
I can hear no or only slight modulation at the end of "rien" "fin" "faim" and so on.


This shouldn't surprise you, as it's always the same vowel. ;-)
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Marc Frisch
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Germany
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 Message 15 of 43
01 November 2006 at 5:43am | IP Logged 
unlocked87 wrote:
I am currently very frustrated.
I can't pronounce some sounds of German. [...]

What if I can't learn to produce these sounds; will people be able to understand me?


Don't worry, Germans will still understand you, as they are used to dialectal variations, especially in the sounds you mention (r can be pronounced in several different ways, 'ch' might be pronounced like 'k' by some). This shouldn't be an excuse to stop trying, at the end of the day you'll learn how to pronounce those sounds. It takes a lot of effort and can be quite frustrating, but it's definitely worth to aim for a good pronunciation.

I myself can't pronounce the trilled 'r' in Italian or Spanish. I just can't do it and it really bothers me. However, no one really explained me what to do, for them it's just natural. Is there anyone in this forum who had the same problem and overcame it. Can you please explain how you did it? (And how it works with regards to tongue position and so on...)

Edited by Marc Frisch on 01 November 2006 at 5:48am

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Iversen
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 Message 16 of 43
01 November 2006 at 6:40am | IP Logged 
To Marc Frisch: if you say "Matterhorn", the two t's represent one tongue flap, and that will be very close to a simple one-flap frontal r in the Romance languages.

If you want more flaps - but there is no need to produce those - then you have to experiment with your tongue position against the alveolar ridge. You start with the tt of "Matterhorn" and move your tongue gradually away from the alveolar ridge, - somewhere through this movement the opening at a given airpressure will be just big enough to make the tongue flap repeatedly. Maybe it is easier if you start with a very open 'a' as in "Marterhorn". But only if you can avoid saying the R as the deep uvular sound of the Southern German dialects.



Edited by Iversen on 01 November 2006 at 6:53am



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