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Easier to Make Mistakes in Mandarin?

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tanya b
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United States
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 Message 1 of 16
12 March 2012 at 1:58am | IP Logged 
What's amazing about Mandarin is that it has a total of only 400 monosyllabic sounds, which is very few, and all of it's words are a combination of one or more of these sounds, and that these monosyllabic sounds all sound quite similar to each other. Also, if one of these sounds ends with a consonant, it ends with either "n", "ng", or "nr". And that's it.

So it would seem on the surface that it would be a very easy language to learn, aside from the tones and the Hanzi, because there are so few possible combinations of sounds or syllables to learn. However, my guess is that the very limited number of monosyllabic sounds makes it much more difficult for learners to understand Mandarin speakers, because the words are all so similar, therefore confusing the listener.

In other languages, the range of sounds is much broader, reducing the possibility of false friends.

With regard to the tones, a beginner can probably mimic them correctly if it is just a single tone by itself. The real trick is to spontaneously say an entire sentence which may have 30 tones, and have them all flow in sequence, one after the other, without starting and stopping. For a beginner, that can be a bumpy ride.

I really admire anyone who even tries to tackle The World's Most Difficult Language For English Speakers. Trying to make sense of the tones, as a speaker or a listener, must bring real pain to the brain.

Edited by tanya b on 12 March 2012 at 5:05am

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Ari
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Norway
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Speaks: Swedish*, English, French, Spanish, Portuguese, Mandarin, Cantonese
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 Message 2 of 16
12 March 2012 at 7:19am | IP Logged 
tanya b wrote:
I really admire anyone who even tries to tackle The World's Most Difficult Language For English Speakers.

Me, too! But I'm pretty sure that's not Mandarin. At the very least, Cantonese is more difficult, seeing as you have to learn two (and a half) sets of grammar and vocabulary, many more characters have double readings, and you have to deal with more tones. As tonal languages go, Mandarin's like "tonal light". And don't even get me started on availibility of materials. And Cantonese is not half as difficult as Taiwanese. Not only does it have eight tones (twice as many as Mandarin), but every tone changes depending on the tone of the syllable that follows it. Except if it's the last syllable of an utterance (and linguists can't even agree of what counts as an utterance). Add to this the fact that Taiwanese has like five different romanization systems and nobody can agree on how to write even basic words in chinese characters, meaning reading a book in Taiwanese is a challenge even for a native. By comparison, Mandarin is like Spanish.

Seriously, Mandarin isn't even close to being TWMDLFES.
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egill
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 Message 3 of 16
12 March 2012 at 9:21am | IP Logged 
@tanya b
I think you may be overstating it a little bit. Most Mandarin morphemes are
monosyllabic, but many words are disyllabic or more. They are often conflated but I
must emphasize: characters ≠ words. There may be more homonyms than in other languages,
but I'm sure it's not as bad as the nightmarish version you have built up in your head.
:)

@ari
I'll give you the mess of competing romanization systems (even though most of the ones
in use are basically POJ or slight modifications thereof). But Taiwanese doesn't have
eight tones anymore—tone two has long ago merged with tone six. Also, two of the
remaining ones are stopped tones with similar contour to other ones. So counting tones
we have seven but in just five unique contours. Comparing that with Cantonese, which
has nine tones/six tones contours, the number itself doesn't seem that bad!

I agree that Taiwanese Minnan tone sandhi is indeed crazy and while less scary now that
I've internalized it (somewhat), it is still the craziest and coolest thing I've ever
had to learn phonology-wise. However I must make a correction in that the tone does
not change in general depending on the syllable that follows it. It changes to
one and only one other tone (except for tone eight which has two possibilities) when it
is not the last syllable of an utterance.

That is each tone has an isolation tone and a modified tone, expressing the former
utterance-finally and the latter otherwise. For example the word Bân-lâm-gú (閩南語),
which has the underlying tone sequence 5-5-2 becomes 7-7-2. Note that all the fives
changed to threes and that the change has nothing to do with the tone of the following
syllable: all fives change to sevens when in non-final position.

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Ari
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Speaks: Swedish*, English, French, Spanish, Portuguese, Mandarin, Cantonese
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 Message 4 of 16
12 March 2012 at 9:34am | IP Logged 
Thanks for your corrections, egill! I haven't studied Hokkien, though I just got a coworker from Fujian, so maybe I'll try to steal some lessons. I don't want to hijack the thread, but if you know any good resources, maybe you could message me?

As for the tone changes, Wikipedia says that both the fourth and the eighth tones change depending on the following syllable.

Wikipedia wrote:
If the original tone number is 5, pronounce it as tone number 3 (Quanzhou/Taipei speech) or 7 (Zhangzhou/Tainan speech).
If the original tone number is 7, pronounce it as tone number 3.
If the original tone number is 3, pronounce it as tone number 2.
If the original tone number is 2, pronounce it as tone number 1.
If the original tone number is 1, pronounce it as tone number 7.
If the original tone number is 8 and the final consonant is not h (that is, it is p, t, or k), pronounce it as tone number 4.
If the original tone number is 4 and the final consonant is not h (that is, it is p, t, or k), pronounce it as tone number 8.
If the original tone number is 8 and the final consonant is h, pronounce it as tone number 3.
If the original tone number is 4 and the final consonant is h, pronounce it as tone number 2.

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vermillon
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 Message 5 of 16
12 March 2012 at 10:38am | IP Logged 
Hasn't Japanse like 46 syllables only? That must be a lot harder than Mandarin then! ;-)
(Well, I surely do believe that Japanese is harder, but not for that reason)
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Superking
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polyglutwastaken.blo
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 Message 6 of 16
12 March 2012 at 9:50pm | IP Logged 
Japanese has 46 kana (times 2 for hiragana and katakana), but modifications to the kana can create a larger number than that. I don't have Japanese installed at work, but for example: There is a kana for the syllable for "ka", but you can create the syllable "kya" using "ki" plus a "ya" printed about half the size, right next to it. Then there are the syllables that can be voiced with the two tick marks written on the side, and the "H" row which can be converted to "B" using the tick marks and "P" using a small circle. On top of that, there's a syllable final "-n" kana that also extends the possible number of syllables.

I have no idea what the number is, but it thankfully turns out to be more than 46, especially considering Japanese's lack of tones to differentiate words.
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vermillon
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 Message 7 of 16
12 March 2012 at 9:53pm | IP Logged 
Oh, yes, I completely forgot that point, thanks for correcting. That's probably still far below 400 anyway.
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LaughingChimp
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 Message 8 of 16
13 March 2012 at 12:22am | IP Logged 
tanya b wrote:
What's amazing about Mandarin is that it has a total of only 400 monosyllabic sounds, which is very few, and all of it's words are a combination of one or more of these sounds, and that these monosyllabic sounds all sound quite similar to each other. Also, if one of these sounds ends with a consonant, it ends with either "n", "ng", or "nr". And that's it.


Actually, it's around 1500 syllables. And there aren't too many homophones, as most words are longer than one syllable.

Ari wrote:
At the very least, Cantonese is more difficult, seeing as you have to learn two (and a half) sets of grammar and vocabulary, many more characters have double readings, and you have to deal with more tones.

Can you explain it in more detail? Why do you need two sets of grammar and vocabulary?

Ari wrote:

And Cantonese is not half as difficult as Taiwanese. Not only does it have eight tones (twice as many as Mandarin), but every tone changes depending on the tone of the syllable that follows it. Except if it's the last syllable of an utterance (and linguists can't even agree of what counts as an utterance).

I haven't studied Taiwanese, but I remember reading about the sandhi. IIRC it could be easily described as a tone change on the last syllable, with all other syllables unaltered. Dictionaries use the changed tone, because that's how the words sound when they're pronounced separately and these "sandhi rules" are merely the reversal of the final syllable change.


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