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FAQ - Japanese Pitch Accent

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Arekkusu
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 Message 1 of 26
04 April 2011 at 1:43am | IP Logged 
In this post, I hope to provide an overview of the Japanese pitch accent. It's a work in progress. Please PM
if you have suggestions on how the information can be better presented.

Overview of Japanese Pitch Accent

Standard Japanese exhibits pitch accent (1). In a pitch accent system, as opposed to stress systems like
that of English, every mora (2) is pronounced in either a high (H) or low (L) pitch (3). When a mora is
marked for pitch, it will be followed by a downfall from H to L. Not all words are marked for pitch (in fact,
maybe up to 80% aren't), but all morae will be realized as H or L. There can only be one downfall per word.

When a word is not marked for pitch -- ie. has no downfall --, it follows a basic LH pattern: the first mora is
low and all subsequent morae are high until a downfall is met or the end of the phrase is reached (4). Ex.:
niHONGO HA (LHHHH)

When a word contains a downfall, the H mora will be followed by L morae. Ex.: JIsho ga (HLL)

Nouns

A noun's pitch is immuable. However, when two words form a compound, pitch often changes. Although
where the pitch of the new compound will fall is unpredictable, it often falls on the first mora of the second
word (5). Ex.: Umi + hiRAki = uMIBIraki but shiMA + kuni = shiMAguni

The situation is different for adjectives and verbs, however, where the word's pitch can change depending
on the morphemes appearing at the end of the word.

Adjectives

(To be completed)

Verbs

Unlike nouns, verbs' pitch is a lot more volatile. The proportion of verbs that carry pitch is also a lot higher.
Where the pitch will fall will be determined by the verb suffix (such as -te, -tara, -nai, etc.), which usually
carries 2 possible patterns: one for pitch verb, one for pitchless verbs.

Let's take a few verbs as examples.
pitchless -- suru, shiru (6)
pitch verb -- shiRABEru, waKAru, taBEru (7)

The -te suffix is a -3/0 suffix, meaning that on a pitch verb, the downfall will occur on the 3rd mora from the
end, and that on a pitchless verb, there will be no downfall. As a result, we get:

shiTE IRU, shiTTE IRU
shiRAbete iru, waKAtte iru, TAbete iru


Notes:
(1) This is also true of most other Japanese dialects, though each typically differs in where the pitch occurs.
(2) When explaining Japanese pitch, the notion of syllable is not accurate. Instead, we speak of "mora" (pl.
morae). Essentially, the onset of double consonants (eg. -tte is Qte where Q is a mora as well) and ん are
morae. Pitch will often ascend or descend before Q and N.
(3) The notion of what is high or low is relative; one person's low may be higher than another person's high.
Also, there tends to be a descending trend throughout the sentence, so that a high may eventually be lower
than another high -- a mora's height is probably determined based on the few morae surrounding it.
(4) The first two morae must have different pitch ([LH or [HL). This is not the case in other dialects.
(5) I haven't been able to determine whether the fact that either or both of the words have pitch or not
affects where the compound's pitch falls, but quick analysis seems to indicate that there is no consistency.
(6) By default, shiru will be realised as shiRU, but for notation purposes, *shiRU would indicate a word with
pitch on the last mora.
(7) It's very common for 3-mora verbs to be LHL.

Suggested links

http://www.shiawase.co.uk/2009/05/13/pitch-accent-in-japanes e/
http://en.wikipedia.org/wiki/Japanese_pitch_accent
http://sp.cis.iwate-u.ac.jp/sp/lesson/j/doc/accent.html

Edited by Arekkusu on 04 April 2011 at 4:24pm

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Lucky Charms
Diglot
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 Message 2 of 26
04 April 2011 at 5:46am | IP Logged 
Thanks for this very useful and well-researched post!

Arekkusu wrote:

(2) When explaining Japanese pitch, the notion of syllable is not accurate. Instead, we
speak of "mora" (pl. morae). Essentially, the onset of double consonants (eg. -tte is
Qte where Q is a mora as well) and ん are morae.


To put it more simply, a mora = one kana (or something of equivalent length). For
example, あ、か、しゃ、ー、ん、っ。 (Notice that しゃ is written with more than one kana, but
this second one has no length and is just there as a modification of the first. That's
why しゃ is one mora.) シャッター is 4 morae: sha-t-ta-a.


Also, I didn't notice it mentioned explicity that once a pitch FALLS TO L, it can never
go back up within the same word. Thus, you can have

LHHH

HLLL

LHLL


but never

LHLH

HLLH

Edited by Lucky Charms on 04 April 2011 at 5:52am

7 persons have voted this message useful



Arekkusu
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 Message 3 of 26
04 April 2011 at 6:14am | IP Logged 
Lucky Charms wrote:


Also, I didn't notice it mentioned explicity that once a pitch FALLS TO L, it can never
go back up within the same word.

Indeed, there can be but one downfall per word. Will fix. Thanks!

It's a little trickier to explain what constitues one unit for this purpose. For instance, you sometimes get
taBEru koto ha, or taBEru koTO ha. Some boundaries seem flexible.
2 persons have voted this message useful



clumsy
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 Message 4 of 26
04 April 2011 at 1:32pm | IP Logged 
I have a book that explains the rules of pitch.
(it's in Polish), however I have not tried to learn it more seriously....
Maybe I should...



1 person has voted this message useful



Arekkusu
Hexaglot
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 Message 5 of 26
04 April 2011 at 4:04pm | IP Logged 
clumsy wrote:
I have a book that explains the rules of pitch.
(it's in Polish), however I have not tried to learn it more seriously....
Maybe I should...

If you have anything to contribute, I'm all ears!
1 person has voted this message useful



pfn123
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 Message 7 of 26
22 April 2011 at 12:15am | IP Logged 
szastprast wrote:
Jorden - Beginning Japanese - Part 2 (ISBN 0300001363) page 360 Appendix 1 Summery of Verbals


The textbooks by Jordan are very good for pitch. As well as the appendix, throughout both volumes of 'Beginning Japanese' and the romanised parts of 'Reading Japanese', all words are marked with pitch.
1 person has voted this message useful



clumsy
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Studies: Danish, Dari, Kirundi

 
 Message 8 of 26
22 April 2011 at 12:26am | IP Logged 
Arekkusu wrote:
clumsy wrote:
I have a book that explains the rules of pitch.
(it's in Polish), however I have not tried to learn it more seriously....
Maybe I should...

If you have anything to contribute, I'm all ears!

Welll there are some rules written, but I would have to look at it more seriously.


1 person has voted this message useful



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