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The importance of a good accent

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SamD
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 Message 145 of 255
16 December 2010 at 12:10am | IP Logged 
Arekkusu wrote:
s_allard wrote:
I don't remember if I mentioned the fact that there is a small industry here in Norh America that specializes in accent reduction. My understanding is that certain people feel that their accent, be it a foreign accent or a local regional accent, is a social or professional impediment. The very existence of this industry tells us how difficult it is to change accents at an adult age.

Actually, I used to teach English pronunciation at McGill university (well, I was a TA). Although we did all kinds of work with minimal pairs, I also spent quite a bit of time addressing the difference between the sounds of English and those of their native languages (most students were TA's too and had been referred by their professor -- they needed the help). In the end, I think what helped them the most was simply the realization that they had to listen to native speakers, imitate them and experiment with sounds.

On the other hand, many were not open to the idea of sounding like a native English speaker in the first place.


There's the key. Many of us learn languages on our own, and we don't have much access to native speakers. Usually we have tapes, and we might have access to radio or television in our target language. If we faithfully mimic the right native speakers, we can develop a good accent. However, we don't get feedback from those tapes and broadcasts. I would argue that if you want a good accent, you need a native speaker (or better yet, two or more) to give you honest feedback on your pronunciation to get a great accent.
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s_allard
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 Message 146 of 255
16 December 2010 at 1:54am | IP Logged 
Arekkusu wrote:
[
Imagine a person who can't sing on key. If that person was determined to sing on key, if they practiced by playing single notes, spending considerable time altering their voice until they matched the pitch of the notes, would they not acquire a better sense of how to control their voice? IMHO, people who can't sing on key cannot feel how to alter their vocal cords in order to match the notes they aim for, because they lack that initial experimentation phase.

Similarly, a person who aimed at imitating sounds and who experimented with sound production would acquire a sense of how to appropriately pronounce foreign sounds. A person who felt they couldn't do it right away would most likely give up rather than experiment.

I sort of agree with this although I'm not sure because the explanation seems a bit convoluted. As someone who has done a fair amount of ear training and still has problems singing in key, I think that it is not a question of lack of initial experimentation phase. I think it's more a lack of training and the fact of starting at a late age.

Why do people take voice classes? Why not just buy "Voice Training for Dummies" or fool around with the piano by yourself? Sure you could, but it's far more efficient to work with someone who will tell you what you are doing wrong. Remember that you are trying to reproduce some sounds. You can hear them well enough, but the challenge is to align all the physiological elements to reproduce those sounds. This is where the coach comes in. He or she can tell you what you have to do to produce the right sounds. If you can do it by yourself, you'll save yourself a lot of money. Most of us need someone to guide us because it is difficult for us to really hear what we sound like.

As a matter of fact, when you sing you have to be keenly aware of a reference pitch. Some people have perfect pitch. Most of us don't. That's why choir conductors will give the starting notes to the various sections of choir before every piece.

But how does this relate to the issue at hand of accent? Learning to reproduce an accent is akin to learning to sing in the sense that you are learning to imitate sounds. Nobody disputes that. The real issue that we have been debating endlessly is how good does the target accent have to be. I'll say the best you can do. If you can and want to invest in dialect coaches and accent reduction specialists, then you'll probably get topnotch results. On the other hand, most of us say something like "At my age, I'm not going to be singing solo at the Metropolitan Opera; so I'm not going to pretend that I will. Instead I'll sing in my amateur choir and enjoy other things in life." That's not giving up. It's being realistic.

Speaking a language involves a lot of things, Maybe I'll work on something besides the accent because it is more important at this point. On the other hand, if I feel that my foreign accent is hindering my job prospects, then of course I'll consider seriously taking an accent reduction class.

Actually this is very serious business. In places like India where call centers serving North America are big business, people work hard at reducing their Indian accent because they know that North American customers do not like to deal with people having strong accents. In call centers in North Africa serving France, people are taught to sound as Parisian as possible and even to use French names because they know that French customers prefer to speak to Nicolas from Paris rather than Mohammed from Tunis.

Edited by s_allard on 16 December 2010 at 2:04am

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mrwarper
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 Message 147 of 255
16 December 2010 at 1:00pm | IP Logged 
s_allard wrote:
...In places like India where call centers serving North America are big business, people work hard at reducing their Indian accent because they know that North American customers do not like to deal with people having strong accents. In call centers in North Africa serving France, people are taught to sound as Parisian as possible and even to use French names because they know that French customers prefer to speak to Nicolas from Paris rather than Mohammed from Tunis.
Which takes me back to the question of putting non-native and native accents in different bags - they're equally annoying because with some exceptions (interestingly enough, to me some non-native ones are marginally better than most native accents - but that maybe because I'm more used to work with non-Spanish accents) they degrade mutual intelligibility.

Spanish call centers usually employ Latin American immigrants (and sometimes they ARE located in LAm) for the usual economic reasons. Undisputedly, the person picking up your phone call has a 100% native accent and yet I've had to give up sometimes because we couldn't understand each other. And if you think I'm peculiar ask any other Spaniard about the Latin American guys at call centers.
BTW I couldn't care less about their names, be they regular Spanish ones or the usual Spanglish mishmash they seem to like so much. For what I care, people in call centers could even have no names at all - I want my stuff fixed, not a genealogy tree...

On a different example my Russian friends always tell me to avoid speaking like some of them because of the accent as well, because they know I'd like to be understood in the widest possible area. So they make me pronounce "shto" (Moscow accent) for the official "что" spelling, instead of "cho" which is how many of them pronounce it in a Tambov accent.

Something else I usually hear is Portuguese people complaining about most Brazilians being hard to understand (I even know a Brazilian who agrees!). And those are natives too, no matter what.

America is a very big country, and it's common to see people mock speakers from far away because they speak 'funny'. Are their accents non-native?

So, why bother to get "native" accents? Use proper sounds, strive to be understood by (almost) everyone. Or what are you trying to speak a language for, in the first place? :)
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Cainntear
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 Message 148 of 255
16 December 2010 at 7:23pm | IP Logged 
s_allard wrote:
Why do people take voice classes? Why not just buy "Voice Training for Dummies" or fool around with the piano by yourself? Sure you could, but it's far more efficient to work with someone who will tell you what you are doing wrong. Remember that you are trying to reproduce some sounds. You can hear them well enough, but the challenge is to align all the physiological elements to reproduce those sounds. This is where the coach comes in. He or she can tell you what you have to do to produce the right sounds. If you can do it by yourself, you'll save yourself a lot of money. Most of us need someone to guide us because it is difficult for us to really hear what we sound like.

And this is where pronunciation is different from pitch -- the methods of articulation in speech can be described in a way that isn't too hard to understadn, whereas pitch simply cannot be explained. Of course, you can only get so far from a physical description or pictures, but it gets you close to the sound and as I've already said it's easier to make fine adjustments by ear than radical changes.

Quote:
The real issue that we have been debating endlessly is how good does the target accent have to be. I'll say the best you can do.

Consider this:
If you are an archer, what do you aim for?
If you're not a good archer, you may never score a bullseye. There's 11 circles on an archery target. Say you're always hitting the 5th ring from the centre. Do you stop aiming for the bullseye? If you start aiming for the 5th ring, you would end up with a worse score.

As Arekkusu keeps saying, the justification of "I'm never going to be perfect, so I won't try" goes for grammar and vocabulary too. After all, none of us are never going to achieve full native command of a foreign language.

But we still aim for the bullseye.

This is why I've never liked saying "I speak <language>." I want to improve constantly, and even if I'm not actively studying, I can still pick up new things if I'm open to correction and noticing.

Just last night I had another incident where the Spanish person I was talking to thought I was joking when I said I was Scottish. She only thought I was from "somewhere in South America", so I don't have a very specific accent. I can't develop a specific accent right now as Edinburgh's something of a melting pot of Spanish accents, so I'm comfortable with what I've got... for now. But I'll still try to refine it, as and when I can. Just like my grammar, just like my vocabulary.
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Aineko
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 Message 149 of 255
16 December 2010 at 8:06pm | IP Logged 
Cainntear wrote:

If you are an archer, what do you aim for?
If you're not a good archer, you may never score a bullseye. There's 11 circles on an
archery target. Say you're always hitting the 5th ring from the centre. Do you stop
aiming for the bullseye? If you start aiming for the 5th ring, you would end up with a
worse score.

In my opinion, another wrong analogy, like with that violinist. The nature of sport is
competition (with others or with yourself). The nature of language is communication.
Maybe I'm looking at it too pragmatically, but given the number of perfectly
integrated, high-achieving immigrants who still have foreign accents, I can't help but
think that not all aspects of a language are equally important when it comes to it's
main purpose. If you want to be a university professor in a foreign country, you do
need a near-native grammar. But you certainly don't need a near-native accent, just the
one that everyone can understand (nobody cares if it is obviously foreign).
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Arekkusu
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 Message 150 of 255
16 December 2010 at 8:28pm | IP Logged 
Aineko wrote:
But you certainly don't need a near-native accent, just the
one that everyone can understand (nobody cares if it is obviously foreign).

There is no way to pinpoint exactly where "good enough" is and the notion is highly subjective. But it's obviously not at the same place for everyone.

All archers may not aim for consistent bull's-eyes, but all could benefit from the motivation of seeing one who does. You can't hit dead centre occasionally if you don't aim there all the time.
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Aineko
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 Message 151 of 255
16 December 2010 at 8:56pm | IP Logged 
Arekkusu wrote:

There is no way to pinpoint exactly where "good enough" is and the notion is highly
subjective. But it's obviously not at the same place for everyone.

"people are not distracted by your accent" apparently is good enough in practice.
Quote:
All archers may not aim for consistent bull's-eyes, but all could benefit from the
motivation of seeing one who does. You can't hit dead centre occasionally if you don't
aim there all the time.

as already said, I don't see this analogy as correct. yes, archers should aim for the
bull's eye, I agree :). That's the whole point of their sport, otherwise they could just
shoot at a blank wall and not bother where the arrow ends up, but that's not exactly the
archery. But what does it have to do with a foreign accent?
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Cainntear
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 Message 152 of 255
16 December 2010 at 9:22pm | IP Logged 
Aineko wrote:
In my opinion, another wrong analogy, like with that violinist. The nature of sport is
competition (with others or with yourself). The nature of language is communication.

Competition with yourself is about being the best you can be.

s_allard seems to want to be the best he can be in language, he just seems to think he's limited to start off with.

Maybe we are limited, but if we aim for that limit, then we aren't likely to reach it. If we aim for the ideal, we will keep aiming until we hit that limit.

If you don't like the archery analogy, consider language exams.
If you do an official preparation course for an organised language exam, you will learn everything needed for the exam and nothing more. If you forget one thing on the day of the exam, you won't get 100%. But if you study beyond the level of the exam you can still get 100%, even if you don't learn anything. Aiming high always gets better results.


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